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Curriculum
- 5 Sections
- 20 Lessons
- Lifetime
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- Module 1: The Five Subtext Categories (Deflection / Avoidance / Threat / Longing / Apology)Week one is the framework. Most dialogue carries one or more of five subtexts at any given moment. Naming them gives you something to install. We cover each category, the diagnostic signs each is miss6
- 1.1Module 1: Overview20
- 1.2Mindset Maven Test: Which Subtext Categories Are YOUR Drafts Underusing?2 Questions
- 1.3Meditation: Reading For Subtext (a Diagnostic Audio)11
- 1.4Writing Prompt: Module 130
- 1.5INSPIRATION: The Scene I Rewrote Adding Longing as Subtext (and the Way It Recolored Everything)15
- 1.6Companion Blog: Subtext Has Five Categories. Most Writers Use Only One.10
- Module 2: The Subtext Drill (the Course's Famous Practice)Week two installs the Subtext Drill. The drill: write a scene where two characters discuss ONE small surface topic (a missing pet, a recipe, a weather report) while the ACTUAL conflict is something el6
- 2.1Module 2: Overview20
- 2.2Mindset Maven Test: Which Character Pair Should YOU Drill First?2 Questions
- 2.3Meditation: Pre-Drill Audio (Use Before Each Drill Session)8
- 2.4Writing Prompt: Module 230
- 2.5INSPIRATION: The Drill That Became the Best Scene I’ve Written15
- 2.6Companion Blog: The Subtext Drill: A Practice You Can Run For Twenty Years and Get Better Each Time10
- Module 3: Subtext Calibration (When Subtext Is Too Oblique vs. Too Obvious)Week three covers calibration. Subtext can fail in two opposite directions — too oblique (reader misses it entirely) and too obvious (reader feels condescended to). We cover the calibration markers, t6
- 3.1Module 3: Overview20
- 3.2Mindset Maven Test: Are YOU Tilting Too Oblique or Too Obvious?2 Questions
- 3.3Meditation: The Calibration Audio (Use Before Calibration Sessions)10
- 3.4Writing Prompt: Module 330
- 3.5INSPIRATION: The Scene I Calibrated Three Times Before Realizing I’d Been Right the Second Time15
- 3.6Companion Blog: Subtext Has a Dial. Calibrating It Is Harder Than Installing It.10
- Module 4: Subtext Across Scenes (the Pattern Layer)Week four moves beyond single scenes to subtext PATTERNS across the draft. Most strong work uses recurring subtexts (the same Longing pattern between two characters across a whole novel; the same Avoi6
- 4.1Module 4: Overview20
- 4.2Mindset Maven Test: What Subtext Patterns Are YOU Already Running (and Haven’t Named)?2 Questions
- 4.3Meditation: Reading For Patterns (a Long Audio)13
- 4.4Writing Prompt: Module 430
- 4.5INSPIRATION: The Subtext Pattern That Ran Through Eight Scenes in My Last Book (and Carried the Whole Thing)15
- 4.6Companion Blog: Subtext Patterns Run Across Scenes. Most Writers Run Them Unconsciously.10
- Module 5: Genre and Subtext (Different Forms, Different Subtext Conventions)Final week. Genre matters for subtext. Romance subtext leans Longing; mystery subtext leans Threat and Avoidance; literary fiction often runs all five layered. We cover genre conventions, the moves sp6
- 5.1Module 5: Overview20
- 5.2Mindset Maven Test: Are YOUR Subtext Choices Aligned with Your Genre’s Conventions?2 Questions
- 5.3Meditation: Closing Audio: The Lifetime Drill Practice14
- 5.4Writing Prompt: Module 530
- 5.5INSPIRATION: Twelve Years of Subtext Drills (and the Skill That Built)15
- 5.6Companion Blog: Run the Subtext Drill Weekly. The Skill Compounds for Decades.10