creative-ct-01

You don't need both. You don't always need either. Here is the test that tells you which edit your draft...

Every character lying about one thing. That is subtext. That is real dialogue. Stop making your characters honest in scenes...

The last twenty pages of your draft will tempt you to either rush them or perfect them. Both are wrong....

Your character aged five years in one chapter. Your villain was in two places. Your magic system contradicts itself. The...

Your prose is not lush. It is padded. Here are the five tell-tale signs and the trim pass that cuts...

'She felt sad' is the line every workshop tries to cut and few replace well. Here is the conversion table...

Your characters are explaining the plot to each other. That is not a conversation. That is a Wikipedia page in...

You are doing all three revision passes at once and wondering why nothing is improving. Separate them. Save your draft.

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