Course Overview

Overview

Six weeks of voice work — vocabulary, rhythm, omissions, focus, repeated patterns, age and region without cliche. The most thorough voice course in the catalog. By the end you can write five characters in one scene and the reader knows who’s talking without name tags. Different from BM-148 (which covers character-level voice broadly); this course is specifically about DIALOGUE voice and how it lives line by line on the page. Six weeks. Thirty lessons. The deliverable is the Voice Library — a living document that holds every character’s voice signature for the rest of your career.

What’s inside

• 6 modules, 30 lessons + voice library — the deepest dialogue-voice course in the catalog
• Mindset Maven Test that names YOUR specific voice-flattening pattern in dialogue
• 6 guided meditations averaging 10 minutes — paired to per-character voice work
• Toolkit: the Voice Library Template + the Per-Character Dialogue Voice Card
• Lifetime access, unlimited retakes — the Voice Library grows over years
• Companion blog post per module — public, perfect for the writer whose ensemble dialogue blurs

Who this is for

• Novelists
• Screenwriters
• Playwrights
• Memoirists

FAQs

How is this different from BM-148?
BM-148 covers character voice broadly (narrative voice, scene-by-scene voice, voice differentiation principles). BM-168 is specifically about DIALOGUE voice — how voice lives line by line on the page. Pair them for complete voice work.

What’s the Voice Library?
A living document holding every character’s voice signature — vocabulary set, rhythm pattern, omission pattern, focus pattern, age-and-region markers. You build it across this course and add to it across your career. By year five it’s a multi-character voice reference.

Will this work for non-English-native writers?
Yes — module 4 explicitly covers multilingual voice work and the rhythm calibration for non-English-native ears. The course has been used by writers in multiple language backgrounds.

How do I write age without cliche?
Module 4 covers age-and-region without cliche. The trick is specificity at the focus and vocabulary level rather than at the verbal-tic level. A 19-year-old’s voice isn’t ‘like, you know’ — it’s what she NOTICES first.

Should I take this before or after BM-165 (Dialogue Mechanics)?
BM-165 first, then BM-168. The mechanics course gives you the dialogue framework; this course adds voice depth on top.

Can I retake?
Yes. Unlimited. The Voice Library grows; you’ll come back for new characters.

What one student said

★★★★★

“This was my fourth Book Maven course in two years (after BM-005, BM-045, BM-148). I am 71 and learning to write a first novel. The dialogue voice work was the hardest of the four because dialogue requires inhabiting characters whose lives are not mine. The voice library practice was what finally cracked the problem for me. I am no longer afraid of writing teenagers, or men, or my own younger self. Five stars. I would recommend this course AFTER BM-148; the character voice work there is the prerequisite.”

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